When the Bridge Is Out–How to Deal with Lost People God’s Way

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They called him Farmer John, and that was OK by him. He had a farm. His name was John. He was a practical man, and the appellation made sense to him.

Farmer John was the sort that didn’t say much, but when he did, people listened. He’d been around long enough so that his voice in town meetings carried some weight. Some folks would toss around the word wise when talking about John, but he preferred practical. Folks can say lots of things, but no one ever considered practical a bad thing, so in John’s eyes, practical won out.

Practical was not what that semi driver had been when he decided to take a wrong turn off the highway and down that old gravel road a month back. The supposedly abandoned road ran past Farmer John’s house and crossed a gorge via a bridge John believed must’ve been built when Chester A. Arthur was president.Bridge out Along with Arthur, most folks had let the bridge slip into the Sea of Forget. Seems the bridge suffered a bout of amnesia, too, because the sudden application of a semi filled with ball bearings across its surface made the bridge forget its own sole purpose for being, and the whole thing collapsed into the gorge.

A knock on Farmer John’s door that morning revealed a rather sheepish truck driver who somehow escaped a 200-foot freefall into the gorge, though the man’s conveyance had not fared as well. The county took one look at the wreckage, chalked it all up to rare misfortune, and left the whole mess sitting at the bottom of the gorge to rust.

When John happened to mention the empty space where a bridge had once been, the county engineers looked at him and said, “No one comes by here anyway.” They didn’t even bother to put up a “Bridge Out” sign, which John thought was rather an impractical way of dealing with a missing roadway over a 200-foot-deep gorge. “Budget cuts,” one of the engineers said with a laugh.

John stared at the place where the bridge had been. He then trudged the half mile down the road to his barn and found the biggest sheet of plywood he had. He painted “Danger—Bridge Out” on it, lugged it back to the gorge, and propped it up on the gravel road with a couple small boulders. It wasn’t art, but then he was a farmer and not Picasso. Still, it served its purpose, and if he himself should be careless some day and in the grip of a “senior moment” forget the missing bridge, the sign might just help him too.

One day, Farmer John heard wheels spinning on gravel.

Outside his window, John saw the unmistakable plume. He walked down to his drive to where a red Camaro hunkered. In his youth, Farmer John had once owned a Camaro, but it proved less practical than a tractor for farming purposes, so he sold it. Still, he knew a Camaro when he saw it, even if it was “one of them new ones.”

A young man with tossled hair popped his head out the driver’s window and said, “I think I’m lost.”

John replied, “If you’re here, I’m certain of it.”

“But my GPS said to turn here if I wanted to get to Frederickstown,” the man said.

“Wrong is wrong,” said John as he walked up to the driver’s window, “even if a computer says otherwise.” He looked at the man and added a couple beats later, “And perhaps especially if a computer says.”

The man pulled the GPS from its suction-cupped holder, popped open the glove compartment indignantly, and tossed the device inside. He turned back to John. “So where does the road go?”

“Nowhere you want to be,” John said, “unless you don’t like yourself or your car too much. Bridge out.”

The man laughed. “Look, I’m lost. I know it. How do I get to Frederickstown?”

“Go back out to the highway.” John motioned with his good hand, drawing in the warm, summer air. “Take a left. Drive until you see the Exit 77 sign. Take that exit, then hang another left. Twenty minutes and you’re there.”

But the man kept looking down the gravel road.

“Son, I’ve lived here more decades than you’ve been breathin’,” John said, the serious creeping into the many lines on his face. “You go down that road there, and it will not end well for you. I know the way you need to go. If’n you need, I can ride with you down to that exit and you can let me off there. I’ve got no problem walkin’ back.”

The man’s countenance seemed to soften, and his head swiveled back to the highway. “That’s a kind offer, but I think I’ve got it. Thanks.”

The old farmer extended a hand. “John.”

The young man gripped it. “Steve. Thanks, John.”

“God bless you, Steve.”

The young man nodded and shifted the car into reverse, the throaty growl of the engine a familiar sound to the old farmer. John waved, stood in place, and watched his visitor shift again, make a left, and enter the highway.

A pheasant called in the distance, and by the time John’s eyes returned from where it might be hiding to the place the Camaro had been a heartbeat before, both the car and its driver were out of sight.

***

Most people are headed toward the gorge, and the bridge is out. Christians know this. How we respond to lost people makes all the difference in whether they listen to our warnings or not. Frankly, we’re not sharing what we know as well as Farmer John did.

Rescue those who are being taken away to death; hold back those who are stumbling to the slaughter. If you say, “Behold, we did not know this,” does not he who weighs the heart perceive it? Does not he who keeps watch over your soul know it, and will he not repay man according to his work?
—Proverbs 24:11-12 ESV

John was wise enough to know others would come down that road. He knew how it would end, even if others pretended not to. He didn’t want to see anyone end up dead at the bottom of the gorge. People mattered to him.

Why do you see the speck that is in your brother’s eye, but do not notice the log that is in your own eye? Or how can you say to your brother, ‘Let me take the speck out of your eye,’ when there is the log in your own eye? You hypocrite, first take the log out of your own eye, and then you will see clearly to take the speck out of your brother’s eye.
—Matthew 7:3-5 ESV

John was wise enough to know that in a weak, forgetful moment, he too might drive into the gorge unless he set up a warning. He dealt with his own failings first. This granted him the right to speak to other people’s weaknesses.

In addition, John didn’t question the preceding part of the man’s trip or how he had come to end up in his driveway. All he knew was that the man was going the wrong way, and that steering him the right way was the best approach. Then John offered that better way.

…but in your hearts honor Christ the Lord as holy, always being prepared to make a defense to anyone who asks you for a reason for the hope that is in you; yet do it with gentleness and respect…
—1 Peter 3:15 ESV

John kept to the main and the plain. He didn’t rail against the man’s head turning back to the gravel road. He was gentle, respectful, and genuinely concerned. No, he didn’t back down, but he didn’t yell,  cause a scene, or draw too much attention to himself. He shared what he knew and did it simply.

Do nothing from selfish ambition or conceit, but in humility count others more significant than yourselves. Let each of you look not only to his own interests, but also to the interests of others.
—Philippians 2:3-4 ESV

John not only gave directions, he offered to ride with the stranger down to the proper exit to ensure he was going the right way. Even though the walk back might be considered an inconvenience to some, to John it was part of caring for this man God put in front of him.

If we Christians keep these four verses in mind whenever we deal with lost people, our interactions with them will be as God wills them to be.

This isn’t hard. Farmer John didn’t do anything impractical or wild. When dealing with lost people, we don’t need to either. John kept it simple. So should we.

The Problems with Christian Fiction

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But is she a good reviewer?I had H1N1 a couple weeks ago, and it seemed to me the best thing to do while hacking up a lung was to read something escapist. You’re less likely to notice the sickness when you’re lost in another world.

I’ve been trying to read a wide variety of contemporary novels to see what resonates with people. Honestly, I’m mystified at the bestselling novels because I find them exceptionally formulaic and not all that intriguing.

But what I find to be the most disheartening news comes from the A-list Christian authors of today. I can’t remember the last time I picked up a novel by a Christian author that I found worthwhile.

Now I have to qualify this comment by saying that the Christian book market is a woman’s market. One of the most damning statistics  is that the vast majority of Christian men never pick up a book after they graduate from school—save for the Bible (and I can attest that a lot of them don’t pick up that book, either, if our rampant biblical ignorance is any indication). Christian women drive nearly all the sales of Christian books, including Christian fiction.

So there’s a lot of Christian chick lit out there. Newsflash: I don’t read novels that cater exclusively to women. Christian novels aimed at women could be Pulitzer Prize-worthy and I would not know it. (So if you’re an author of Christian novels that cater primarily to women, you can take what I’m saying with a grain of salt.)

I’m speaking of mainstream Christian fiction that appeals to both sexes or leans toward male readers.

Below are the top problems I continue to find in Christian fiction. Some of these problems are inherent to all fiction, while some are exclusively issues in Christian fiction.

1. Authors still struggling with the Gospel and what it means to be  Christians who write novels

What makes a novel Christian? Increasingly, it’s hard to tell. It used to be that a novel would inevitably have a clear “THIS IS HOW TO BECOME A CHRISTIAN” chapter in it, usually depicting a character’s conversion. A few Christian authors still attempt to shoehorn such an obvious presentation into their books— and I have yet to read one of those that doesn’t feel forced. However, the trend in the most recent books has been away from proselytizing, possibly because it has felt forced and seems to bring a story to its knees—and not in a good way. What we see now are “Christian” books that contain the following:

  • A Christian character or two (though the characters are almost always nominal or backslidden Christians beholden to some mistaken beliefs about Christianity)
  • A story that contrasts “genuine” Christianity with some flaky, cartoonish, fundamentalist version
  • A story that incorporates the symbolic elements of Christianity but stripped of their inherent meanings (such as depicting angelic beings who don’t match the Bible’s descriptions of angels)
  • A pendulum swing away from goody-two-shoes heroes to ones that are almost ridiculously “overflawed”
  • No real evidence of anything inherently Christian in the novel except that it was written by a Christian

While I don’t read as many hamhanded Gospel presentations as I once did, the trend seems to be moving toward attacking other Christians. I know that two books that I selected randomly to read during my flu both set up aberrant straw man Christians sects for pummeling. This is a wrongheaded trend, as it seems to muddy the waters. If that many bogus or flawed Christian sects exist, why consider Christianity at all?

2. Increasingly high suspension of disbelief

Many of the mysteries and thrillers in Christian novel circles call upon readers to invoke an almost inhuman ability to suspend disbelief. All fiction requires an author to stretch credulity, but what I’m reading in Christian novels today is simply over the top. One story I read asked the reader to believe that an entire town quickly and elaborately conspired to deceive one visitor. What made it worse was that the visitor could have easily been sent on her way with what she wanted, with no need for the massive ruse. The “sorry we all lied to you about everything, ma’am” ending should have been written as “the author apologizes for jerking your chain for no rational reason for the last 250 pages.” In short, for those novels that are clearly not in the fairy tale or magic realism categories, the villains are too much, the escapes too implausible, the mysteries too out there, the finales too good to be true, and on and on and on.

3. Mimicking the trends in secular writing and publishing

I’m seeing more A-list writers co-authoring books with newcomers. While this has been common in the secular publishing world, the Christian publishers are now joining in. I also believe it is clear that these are less full co-authoring efforts and more riding the coattails of the A-lister. Christian publishing already tarnished its reputation with the practice of uncredited ghostwriters writing the books of nationally known pastors and Christian celebrities. Let’s not make this worse by tacking on an A-list name to a book written almost entirely by an unknown.

Also, Christian fiction’s identity crisis continues unabated, as few authors have figured out how to create a genuinely Christian genre. Too many Christian authors still watch what sells in the secular world and ape the trends. This gives us little more than derivative, lower-quality, less creative works that do nothing to enhance the stature of Christian fiction. We need works that set the standards, not mimic them.

4. Pulp writing out of A-list authors

I keep hearing the names of the next set of “literary” authors that will save Christian fiction. Then I read their books and encounter the same bush league writing issues.

One issue that seems to dominate the Christian novels I’ve read lately is what I like to call “John Vowed Never to Return to His Hometown” Syndrome. Christian authors LOVE to employ this trick of constantly reminding readers chapter after chapter that the hero John vowed never to return to his hometown—when we all know that John’s inner struggle mandates returning to his hometown. All authors do this to some extent, but again, it seems to be hammered in Christian fiction.

I’m also bothered by the emphasis that plot takes over worldbuilding, as if Christian authors are racing to tell their stories, neglecting to employ all the standard storytelling devices that root readers in the novel. Character and setting descriptions and mood are often passed over, leading to a tenuous hold on readers. I know I put down more Christian novels than secular ones simply because the author hasn’t spent enough time drawing me into the world of the novel.

Christian novels also seem to have a higher likelihood that the author will spend a lot of time recapping events. Often, the protagonist’s inner dialog is constantly rehashing what happened in the previous chapters.

Boring! I read the previous chapters. I don’t want to read them again!

In the same way, Christian fiction suffers highly from a hero running an inner dialog that asks questions beneath the reader, as the reader clearly knows that the hero’s speculations are wrong. There’s a difference between keeping the reader and the hero in the dark and flat-out lying to readers with obviously bogus speculations. Good writers do the former not the latter.

Given some of these issues, it makes me wonder if the authors are just not that good or instead genuinely believe their readers can’t follow what they are writing. Then again, if readers can’t follow the writing, perhaps the author IS bad.

Lastly, I’m bothered by the excessive padding I read in novels. All modern novels suffer from this, but the Christian novels I’ve read of late are plagued by it. What makes this even more remarkable is that I’ve already noted that many Christian novels lack sufficient worldbuilding. If those elements are missing, what’s being padded?

Too many authors repeat elements of the story or revisit a pattern of character behavior with  slight modifications. I read one novel by a Christian A-lister where the middle chapters consisted of the same two groups of people wandering around in the woods, going through the same motions, asking most of the same questions, ad infinitum. Tedious is the word that springs to mind.

And it’s tedious because there wasn’t enough story to make a full-sized book. Yet authors can’t get shorter books published because publishers blanch at the thought of printing something for adults less than 250 pages.

5. Unreliable reader reviews

It bothers me that readers rate so many books so highly on Amazon.com. Let’s be honest here: The average book is fair to good. That’s two to three stars. And while most books are overrated on Amazon, the reviews for books written by Christian authors are stellar to the point of being ridiculous. Either readers of Christian fiction are afraid to voice a genuine opinion for fear of hurting an author’s feelings or they simply can’t distinguish a great book from an average one. Either way, the result leads to unreliable reviews. This helps Christian fiction improve not one iota.

I have more opinions on this issue, but these five points highlight the major problems.

If you read (or even write) Christian fiction, I’d like to hear your comments!

Looking for Work, A Personal Request

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Dear Readers,

This post comes as a request for job leads on behalf of my wife. She is an experienced marketing professional with a background in computer software and telecommunications. Her most recent position was as a director of marketing, but she is considering expanding her possibilities to areas such as sales, product management, and account management. She is pursuing both part-time and full-time positions.

We are located east of Cincinnati, closer to the Eastgate/Batavia area, so downtown Cincinnati, eastern Northern Kentucky, and the eastern suburbs (such as Beechmont, Amelia, Milford,  Loveland, Montgomery, and Blue Ash, with Sharonville being the western limit) would be within driving reach for her.

I have met many people in my life who are dedicated workers who give 110 percent, but my wife exceeds them all. She’s smart, engaging, relationally adept, and a huge asset to a company.

Drop me a line at the email address in the sidebar at top or leave a comment, and we will follow up with you.

Thanks.

And while I’m doing this pitch, let me also add these two comments:

If you need an experienced freelance writer or editor, my business is Ethereal Pen Productions. I’ve written for some of the best-known companies and organizations in America and bring a wealth of experience in a wide variety of fields to every project I do. Some of the freelance writing and editing services I offer include writing copy for business Web sites, copywriting marketing collateral, developing training materials, and editing book manuscripts for individual authors. New clients are always welcome.

Lastly, if you are a Christian who owns a small business with a Web presence, I have a page on this blog that will feature your company and offer a link back to it, which search engines love to see. Cost? FREE. All I ask in return is a backlink from your site to my Employ the Body! page, which you can view by clicking on the link above or the tab at the top of this site.

Thank you. And may God richly bless you.